Japanoise: Music at the Edge of Circulation

Japanoise: Music at the Edge of Circulation

Japanoise Music at the Edge of Circulation Noise an underground music made through an amalgam of feedback distortion and electronic effects first emerged as a genre in the s circulating on cassette tapes traded between fans in Japan

  • Title: Japanoise: Music at the Edge of Circulation
  • Author: David Novak
  • ISBN: 9780822353928
  • Page: 419
  • Format: Paperback
  • Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America With its cultivated obscurity, ear shattering sound, and over the top performances, Noise has captured the imagination of a small but passionate traNoise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America With its cultivated obscurity, ear shattering sound, and over the top performances, Noise has captured the imagination of a small but passionate transnational audience.For its scattered listeners, Noise always seems to be new and to come from somewhere else in North America, it was called Japanoise But does Noise really belong to Japan Is it even music at all And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium In Japanoise, David Novak draws on than a decade of research in Japan and the United States to trace the cultural feedback that generates and sustains Noise He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners He explores the technologies of Noise and the productive distortions of its networks Capturing the textures of feedback its sonic and cultural layers and vibrations Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

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      Posted by:David Novak
      Published :2019-09-27T22:31:49+00:00

    951 Comment

    For my friends on here who only know my book side, I have a deep dark secret: I love noise. I mean, REALLY love noise. The compulsion started young. I remember telling my dad, somewhere around age 10, that I only wanted to listen to the loudest, heaviest, craziest music ever for the rest of my life. (Understandably, this declaration was met with bemused silence.) I've mellowed my stance a bit as I hit middle age, but the truth remains that noise is very important to me. And when I say noise, I a [...]

    good book! thank you japan! thank you masami akita! thank you jojo hiroshige! thank you toshiji mikawa! thank you yamazaki maso! thank you yamantanka eye! thank you takashi mizutani! thank you keiji haino! thank you juntaro yamanouchi!

    Understand the idea to dissect Noise in academic work, but with almost 50 pages of footnotes and references in this book I found it over-intellectualize. "It's got absolutely no message, it's totally open, there is no explanation. Especially people in Japan or Asia. I worked a lot with people there, and actually like it very much because they are very, very anti-intellectual. When I worked with people in Europe, Europe is a very old continent and people like to think and put all of these theorie [...]

    Not just a look into the extremely unique and interesting world of Japanese noise music, but how noise is defined in the history of Japanese culture and sociopolitics, how noise can be used to define the circulation of cultural norms and other things on a global scale. Really, really interesting when talking about the Japanese noise scene - making it, the history of it, etc. But extremely dense when talking about the other stuff, it almost seems like a college senior's final thesis paper. Still, [...]

    Very well presented. The balance between theoretical and practical is perfect. If the theoretical feels too dry, Rest assured that the practical os waiting for you within 2 pages, maximum.I got this from the library, but will definitely be purchasing it because it's that good and worthwhile to have as a resource.

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