Lucky A wry daily comics journal of urban ennuiGabrielle Bell fascinatingly documents the mundane details of her below minimum wage twentysomething existence in Brooklyn New York with a subtle humor Her

  • Title: Lucky
  • Author: Gabrielle Bell
  • ISBN: 9781897299012
  • Page: 470
  • Format: Hardcover
  • A wry daily comics journal of urban ennuiGabrielle Bell fascinatingly documents the mundane details of her below minimum wage, twentysomething existence in Brooklyn, New York, with a subtle humor Her simple, unadorned drawing style, heavy narration, and biting wit chronicle transient roommates who communicate only through Post it notes aspiring artists who sublet tiny roA wry daily comics journal of urban ennuiGabrielle Bell fascinatingly documents the mundane details of her below minimum wage, twentysomething existence in Brooklyn, New York, with a subtle humor Her simple, unadorned drawing style, heavy narration, and biting wit chronicle transient roommates who communicate only through Post it notes aspiring artists who sublet tiny rooms in leaky, greasy broken down border house loft apartments crawling with bugs, cats, and bad art Bell tackles a string of forgettable, unrelated jobs including nude modeling, artist s assistant, art teacher, and jewelry maker that only serve to bolster her despair, boredom, and discomfort in her own skin.Bell s self scrutiny leads her to dream sequences that allow her to rise above her banal actuality and hyperawareness She fantasizes about her vision of a perfect world as she becomes the accomplished artist and world traveler she longs to be Bell s daily comics allow her to escape the harsh, judgmental gaze of the world and the monotony of daily life Her unpolished art speaks to a desire to record all the messy details while the pain and confusion are still fresh.Coming of age amid the zine revolution, cartoonist Gabrielle Bell has been creating her comics to much acclaim, even winning an Ignatz Award for the self published serialization of Lucky.

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      Published :2019-07-12T11:32:44+00:00

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    I had heard good things about Bell, and I excitedly requested all of her work offered by my library. I settled down with "Lucky", in anticipation. I got to page 15 and closed the book in disgust. The inner dialogue in the first panel of page 15 reads: "After reading the entire thing three times, the illustration still looked retarded. I had no choice but to send it off anyway and pretend I was a retard. DEER SURS, HEER IZ THE PICHUR THAT I DRAWED. I HOWP THET YEW LIK IT."This is not okay. It's d [...]

    Nothing happens in this book. There is a lot of apartment hunting, worrying about financial situations, and procrastinating. I adored it.

    I finally have a bit of a grasp on what makes Gabrielle Bell's work so compelling to me. The last few books I read of hers I wondered, "why do I like this so much." Because there's something very matter-of-fact and plodding about it. Dailiness and repetition.After reading a bunch more graphic memoir type stuff -- several books by Jeffrey Brown, and "The Hospital Suite" by John Porcellino, "El Deafo" by Cece Bell, "Letting it Go" by Miriam Katin, "An Age of License" by Lucy KnisleyI read "Lucky" [...]

    I read this book while waiting for an appointment with my therapist. This book goes nowhere and has no point. The drawing are simple and pretty much just nice illustrations. While the author does not seem to be taking you anywhere or bringing you to an important understanding of why she wrote this book she does take you on a beautiful ride. I also found myself amused at various points by how she presents her life especially the mundane.

    A collection of Gabrielle Bell's various Lucky comics from nine or ten years ago. These stories are more overtly memoir-like than some of her other work collected elsewhere (e.g Mome or Drawn & Quarterly anthologies), which explains why many readers see her work in the same vein as Jeffrey Brown, Julie Doucet, and Alison Bechdel.

    In this three-part graphic novel, Gabrielle Bell chronicles the daily life of a 20-something cartoonist who's trying to make a living and write this book while persisting in New York. There are long stretches of a daily grind punctuated by fraught moments as a nude studio model, apartment-seeker, girlfriend to Tom, artist's assistant, yoga novice, and sometime teacher. I am charmed by these moments, and yet they are brief and frequently thin; there aren't many notes that linger. Furthermore, man [...]

    This is a book I really wanted to love. I felt certain that I would love it. I adore the mundane everyday sort of autobiographical comics and graphic novels. I almost fell for a boy once simply because he drew three panel comics of his day every single day. I really go for that stuff, for better or worse. Unfortunately, I felt like this book was "just okay." I like the drawing style. I like the dialog. I like the stories of someone living in The City, floating around between apartments, having a [...]

    Lucid look at the state of being a young creative in a city that both values and mocks artists. Includes ongoing theme of that slender ring of hell that is real estate in NYC.Andy: The yogis and holy men say that you have to make your journey alone. But that doesn't mean you have to spend your life in isolation. It means you have to rely on your own inner resources.Gabrielle: Like what resources?Andy: Like, if you're an artist and you only make art when inspiration comes, then inspiration will c [...]

    A journal-type graphic memoir wherein Bell recounts her struggles as a twenty-something artist in Brooklyn to find a decent place to live, figure out relationship stuff, and to support herself as an art teacher. The drawings are fairly static and the narration is text heavy, but she nails the weirdness of roommates and the awkwardness of trying to appear legitimate to the great aunt of her private lesson art students when the students are twelve-year-old boys intent on drawing sexually explicit [...]

    I really enjoyed that Bell explains the evolution of the book in the introduction. The three sections of Lucky are different in tone, and it's fun to hear her address that. You can definitely see the changes. I was impressed by her drawing style - she could get a lot out of very line-based drawings. And I'm always fascinated by roommate drama (i.e. He Died with a Felafel in his Hand), especially since I have friends living the NYC version. She has great reflections on art, although I wish she'd [...]

    I enjoy Gabrielle's drawing style, though I think I prefer some of her more surrealistic works. It's not that scurrying for housing in NYC and struggling to be an artist while modeling nude for money aren't relatable topics. It's that they're COMPLETELY relatable to the nausea-and-reaching-for-anxiety-meds degree. But if you didn't ever do any of that stuff I think it would be interesting to read about what it's like.

    Minimalist, young twenty-something artist going nowhere in New York City. Likeable, as in, this is basically about nothing, no big point, just getting to know a simple, nice person, emotionally flat and in small doses this was wonderful for me, made me smile As a whole, read in a day or so, I liked it a little lessThis could just be a gendered thing in that I like Jason so much, and many women are not impressed with him as much as me

    This was a fun book. I really enjoy the visuals of a good graphic novel/memoir, and Gabrielle Bell's work is accessible, thoughtful, and makes you think about your own life. Would recommend it!

    Continuing my 2011 fascination with graphic novels, I read Gabrielle Bell's Lucky yesterday. Much has been written about her minimal cartooning style, her insights and lack of romanticism about life as a twenty-something artist in NYC, which paradoxically makes her work (and her) charming. Much has been made of her capturing the spirit of an entire generation and lifestyle of people, while still living that particular lifestyle. I will not do any of these in this unorthodox review, for it has be [...]

    The Lucky series is set in Williamsburg, Brooklyn. I acknowledge that I am sucker for anything set in New York but I especially liked the non-hipster but hip way Bell tackles Williamsburg. As a graphic novelist/cartoonist she is certainly of the hipster type but you do not feel she is trying to be, she just is. And as someone that would fail miserably if I tried to be hipster, I appreciate her lack of guile.Her drawings have a style that is clean and simple, my favorite. The piece I enjoyed the [...]

    I love Gabrielle Bell so much. I read her bookWhen I'm Old and Other Stories a few years ago, and although I forgot about it many times since then, I would always re-remember it fiercly. I had completely forgotten, actually, the name of the book, and the author, but I would try to get people to remember it for me by saying "You know, that book with a lot of stories in it the end there's one about a flood where a man takes a woman to safety and they sleep together for warmth and then he disappear [...]

    While hardly breaking any new ground, Lucky is an enjoyable albeit extremely lightweight read. Art: Gabrielle Bell experiments with some heavier inking in the middle of the book, but for the most part her clean lines evoke comparisons to John Porcellino. However, she certainly doesn't share the same sparse narrative style. The beginning pages of Lucky are cramped and overflowing with text, but as it progresses the author trims down her panel and word count for more pleasing results.Story: Really [...]

    The other day this popped up in my recommendations box on and reminded me that it's been a while since I'd read a graphic novel. Without checking to see what it was about, I added it to my requests queue at the public library and picked it up a couple days later.My first impressions when I opened the book were unmoving. The illustrations were simple, and the panels were over-stuffed with narration. But only a few pages into it, my opinion shifted radically. Gabrielle Bell's cartoons--quirky and [...]

    I'm so excited to be introduced to a new Comics artist. I picked this up randomly at Bergen Street comics. I was drawn into it pretty quickly, in the way that one is when the art is pleasing and the voice is so natural. The things that happen are pretty normal and work-a-day--at least in the life of a freelancer or young person transition into the "grown-up" world. So at first it was just charming and entertaining. Then gradually it became more and more amusing. And suddenly I found myself laugh [...]

    Do you like being mildly voyeuristic? Do you like semi-autobiographical comics? How about blogs? Do you like blogs? While the daily paper is now simply a graveyard from comics and a place for Peanuts to rerun forever the interweb is teeming with good comics. After winning an Ignatz for best mini-comic (yes, its a thing) Gabrielle got this collection of many mini comics published by D&Q. She has deft insight and an eye for detail. Also at times she gets a bit surrealistic, which I love. Best [...]

    I really like Gabrielle Bell and I think her pace, quirky humour and insight work wonderfully well in this medium- she is also a deceptively simple but actually excellent comic artist. it is true that nothing much happens, but that's real life, and the joy is in her personal take on that. I agree with some of the other criticisms- yes she can be immature (the retard comments were really lame) and miss her target, and yes I would prefer a topic other than 20-somethings in New York but overall thi [...]

    Finally a graphic novel about being an adult! (See review of Potential) I really loved these stories about Gabby and her struggle to be an artist in New York right after she graduates college. Although I don't live in New York, I still related as she tries to find a job that supports her and her art without losing her soul. The themes she investigates with her comics are classic twenty-something, from freaking out about a dead end job that has nothing to do with your degree, to worrying about wr [...]

    Why have I never read this book? I have to admit that the introduction got my hopes up that the book would become more juicy as I read on (it seems to be what the intro implies), so after I read the first part, I was a little let down that I didn't enjoy the last two parts quite as much. But still, it was an enjoyable read. The first part just seemed the most personal and honest, which are qualities I really look for in autobio comics. The latter portions of the book were more sophisticated art- [...]

    why do I love gabrielle bell? deceptively simple, beautifully essential -- her work reveals her soul thru diary-like anecdotes but without the usual manipulative angst, anger or attitude usually inseparable from that genre. you will find your hands & eyes moving of their own accord to return to the pages again & again, as if some silent, elusive all-encompassing answer lies within, and perhaps it does. "Lucky" resembles a miracle more than a "product" and has that rarest of qualities: no [...]

    This was very sweet in a dull and real way, and got sweeter as it went along, and was perfect for an almost-but-not-quite rainy day. I read my review of the other thing I read by her that I didn't like much -- and this, in its diary comic with restraint -- straddles the line between the abstract and the very real pretty well. Plus her restrained style of illustration reminded me more of a busier John Porcellino than last time. Plus I like him a lot and I didn't last time. So, way to go G.B. you' [...]

    Bell's simple style allows any reader to find a connection with the characters populating her world. Most people can relate to horrible jobs, bad roommates, and the overwhelming monotony of the mundane--especially people who have lived in NY. I like this collection of life moments, collected in a single volume. And really, I love how she doesn't try to impose some overarching story or plot to her own life--rather she accepts the haphazardness of life.

    Read on the back steps in a rare pocket of sun that comes out around noon and lasts for an hour or so in January. Finished in the living room later the same day, nighttime, under a yellow and brown plaid wool blanket. Perfect winter reading, the introspective diaristic narrative propells me through seasons of time; Gabby's adventures of seemingly mundane daily activities alleviates my own malaise and bouys my spirit.

    Bell creates a very compelling diary comic; it's a more grown-up American Elf, or less exotic Carnet de Voyage. Bell spends most of the book trying to find a decent place to live, and ways to make money. It's mundane, but it is gripping.Craig Thompson, the author of Carnet, wrote a blurb on the back.The art style reminds me most ofMegan Kelso, though her simple faces are also reminiscent of Thompson's simpler art.

    Of the 2 volumes of Gabrielle Bell I read (courtesy of Hubcap) this is my favorite, though it takes place in NY rather than SF (see "When I'm Old" for SF-based stories). The style of Lucky has an artistic and narrative honesty plus ease that kept me flippin' through. Loved the story of tutoring the oversexed young French boys. And the hole in the bathroom wall that became a vortex for her relationship.

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